GXT 256 Exxo

This microphone doesn't need a driver to function, it functions with the audio capability of the device it is connected to.

To install:

• Assemble the microphone and set it in your preferred position
• Connect the USB-plug to the USB-connection of the computer
• Check that the microphone is allowed to be used by applications in the Privacy Setttings
• Set the microphone as the default sound input and the speaker as the default sound output device on the computer.
• Check the microphone properties.
• The microphone is ready to use

You mute the microphone by pressing the microphone mute button on the front.
 

By pressing the gain/led button on the front of the mic for several seconds, you switch the light off.

By pressing the gain/led button on the front of the mic, you can change the colour: off, 5 single colours (yellow, red, blue, green, purple), RGB cycle.

If you want the music to be loud, but the monitor volume low, you turn the volume button on the microphone high, and keep the volume in the playback/mic levels low.

There are 5 volume options via this microphone

• 2 buttons on the microphone:
  mic volume
  headset/speaker volume
• 3 options in Windows:
  Sound Control Panel > Playback > click on device > Properties > Levels > Speakers/Headphones
  Sound Control Panel > Recording > click on device > Properties > Levels > Microphone Array
  Sound Control Panel > Recording > click on device > Properties > Levels > Microphone Boost

Si el producto todavía está en garantía, le rogamos ir al punto de venta donde lo ha adquirido, provisto de una prueba de compra. Allí se lo reemplazarán por uno nuevo.

En caso de defectos, devuelva el producto a su revendedor con una descripción del fallo, prueba de la compra y todos los accesorios.
Durante el periodo de garantía recibirá un producto de repuesto del revendedor si hubiera disponibles.
Para nuestras condiciones de garantía puede consultar:
https://www.trust.com/support/warranty

Puede usar el brazo del micrófono GXT 253 con los siguientes micrófonos Trust:

• 21753 - GXT 252 Emita Streaming Microphone
• 22400 - GXT 252+ Emita Plus Streaming Microphone
• 22614 - GXT 242 Lance Streaming Microphone
• 23465 - GXT 258 Fyru USB 4-in-1 Streaming Microphone y 24257 - GXT 258W Fyru USB 4-in-1 Streaming Microphone
  Note:
  - this microphone fits the arm, but can't be mounted directly onto the shock mount. However with the included (with the microphone arm) adapter you can screw this microphone onto the arm. 
  - the integrated USB-B cable from the 22563 - GXT 253 Microphone Arm is not supported by the FYRU Microphone.
• 23510 - GXT 256 Exxo USB Streaming Microphone
• 23466 - GXT 244 Buzz USB Streaming Microphone

The microphone itself has up to 48kHz.support.The monitoring port on the microphone up to 96kHz.

The pick-up pattern of a microphone is the sensitivity to sound relative to the direction or angle from which the sound arrives, or how well the microphone "picks up" the sound from different directions. The most common types are: Cardioid, Omnidirectional, Unidirectional, Bidirectional.

CARDIOID
The most commonly used pattern is most sensitive at 0° (the front) and least sensitive at 180° (the back). This isolates it from unwanted ambient sound. You can use this for most recording applications. It is easy to get a good signal as the cardioid pattern blends out a bad sounding room, a noisy fan in the background, etc.

OMNIDIRECTIONAL
The omnidirectional microphone has equal sensitivity at all angles. This means it picks up sound evenly from all directions. Therefore, the microphone need not be aimed in a certain direction. It will be especially useful in good sounding rooms.

UNIDIRECTIONAL
Unidirectional microphones are most sensitive to sound arriving from directly in front (at 0°) and less sensitive in other directions. This makes unidirectional microphones effective at isolating the desired sound from both unwanted sound and ambient noise.

BIDIRECTIONAL
A bidirectional microphone (with figure-8 pattern) picks up the sound from in front of the microphone (at 0°) and from the rear (at 180°), but not the side (at 90° and 270°). It can be beneficial in situations where you do not want a signal coming from a 90° angle to bleed into the microphone.